The Choices of Mattings In Your Picture Frame

One of the most important aspects of a picture frame project is the frame matting. After the art, the frame matting is the second most important part of a good frame design. what makes a good matting in a frame? The biggest mistake in picture framing is to over frame the art. Frame mattings with excessive color and design draw the eye to the matting not to the art. One could argue that all frame mattings should then be white so as not to compete with the art. The brightness of white in itself frequently is too bright and makes looking at the art very difficult. Shades of off white or light grays are usually better choices for picture frame mattings than white is. If you look at the framed Tonka we have pictured with this post, could you imagine what a bright white matting would look like around the Tonka. Our choice of a soft blue duppioni silk frame matting enhances the frame and art without over powering the art. The matting should be a neutral extension of the background color and tones of the frame matting. Matching frame mat colors to colors in the art is counter productive. This again draws the eye away from the art by competing with the art and competing with the artist for attention. Usually, the best frame matting is a color that works with all the colors, tones and values of the art. This takes a good sense of color theory and years of experience designing custom picture framing.

One of the most important aspects of a picture frame project is the frame matting. After the art, the frame matting is the second most important part of a good frame design. what makes a good matting in a frame? The biggest mistake in picture framing is to over frame the art. Frame mattings with excessive color and design draw the eye to the matting not to the art. One could argue that all frame mattings should then be white so as not to compete with the art. The brightness of white in itself frequently is too bright and makes looking at the art very difficult. Shades of off white or light grays are usually better choices for picture frame mattings than white is. If you look at the framed Tonka we have pictured with this post, could you imagine what a bright white matting would look like around the Tonka. Our choice of a soft blue duppioni silk frame matting enhances the frame and art without over powering the art. The matting should be a neutral extension of the background color and tones of the frame matting. Matching frame mat colors to colors in the art is counter productive. This again draws the eye away from the art by competing with the art and competing with the artist for attention. Usually, the best frame matting is a color that works with all the colors, tones and values of the art. This takes a good sense of color theory and years of experience designing custom picture framing.One of the most important aspects of a picture frame project is the frame matting. After the art, the frame matting is the second most important part of a good frame design. what makes a good matting in a frame? The biggest mistake in picture framing is to over frame the art. Frame mattings with excessive color and design draw the eye to the matting not to the art. One could argue that all frame mattings should then be white so as not to compete with the art. The brightness of white in itself frequently is too bright and makes looking at the art very difficult. Shades of off white or light grays are usually better choices for picture frame mattings than white is. If you look at the framed Tonka we have pictured with this post, could you imagine what a bright white matting would look like around the Tonka. Our choice of a soft blue duppioni silk frame matting enhances the frame and art without over powering the art. The matting should be a neutral extension of the background color and tones of the frame matting. Matching frame mat colors to colors in the art is counter productive. This again draws the eye away from the art by competing with the art and competing with the artist for attention. Usually, the best frame matting is a color that works with all the colors, tones and values of the art. This takes a good sense of color theory and years of experience designing custom picture framing.One of the most important aspects of a picture frame project is the frame matting. After the art, the frame matting is the second most important part of a good frame design. what makes a good matting in a frame? The biggest mistake in picture framing is to over frame the art. Frame mattings with excessive color and design draw the eye to the matting not to the art. One could argue that all frame mattings should then be white so as not to compete with the art. The brightness of white in itself frequently is too bright and makes looking at the art very difficult. Shades of off white or light grays are usually better choices for picture frame mattings than white is. If you look at the framed Tonka we have pictured with this post, could you imagine what a bright white matting would look like around the Tonka. Our choice of a soft blue duppioni silk frame matting enhances the frame and art without over powering the art. The matting should be a neutral extension of the background color and tones of the frame matting. Matching frame mat colors to colors in the art is counter productive. This again draws the eye away from the art by competing with the art and competing with the artist for attention. Usually, the best frame matting is a color that works with all the colors, tones and values of the art. This takes a good sense of color theory and years of experience designing custom picture framing.

 

 

 

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